The Red House

The studio in the “Red House”


Impressions from the Red House Painting Studio


The “Red House” – which was first constructed in the 19th century as a workshop for knife or scissor grinders, was first used to house Erwin Bowien’s (1899-1972) studio in 1945, before later being used by all the artists of the community. Many conversions were made during this period.

 


The Red House (studio house of the artists' colony) in Solingen, condition in January 2021
The Red House (studio house of the artists' colony) in Solingen, condition in January 2021

Particularly noteworthy are the stained glass windows made by the prominent Cologne glass artist Fritz Hans Lauten (1935-1989), who installed them by hand in the 1960s during his regular visits to the house, giving it an unmistakable architectural touch that can still be seen today.


Erwin Bowien (1899-1972) - Repair work on the "Red House", 1961
Erwin Bowien (1899-1972) - Repair work on the "Red House", 1961

Bettina Heinen-Ayech (1937-2020) as a child in front of the Red House, ca. 1939
Bettina Heinen-Ayech (1937-2020) as a child in front of the Red House, ca. 1939

The painter Bettina Heinen-Ayech (1932-2020) left a fresco and a frieze in the central upper room, parts of which are still preserved. Some of Bettina’s artistically designed tiles can be found embedded in many locations throughout the house.

 


Bettina Heinen-Ayech ( 1937-2020) - The Roof of the Red House, watercolour, 2018
Bettina Heinen-Ayech ( 1937-2020) - The Roof of the Red House, watercolour, 2018

All painters at the artist’s colony, Erwin Bowien (1899-1972), Amud Uwe Millies (1932-2008) and Bettina Heinen-Ayech (1937-2020), used the rooms as studios and exhibition spaces.


Amud Uwe Millies (1932-2008): View of the Red House and the old pump house, ca. 1958
Amud Uwe Millies (1932-2008): View of the Red House and the old pump house, ca. 1958